Non-fiction (General Consensus):
The project “QnWF-Société presents Post-Proto Collective’s Fully Inclusive Representational Doom, Death and Devotion exhibition; “We Are Here, We Are One”” originally stems from a frustration. A frustration with and towards the way certain minorities and majorities are being and have been represented within the “White Cube”, i.e. the museum and or the gallery.
What has become quite apparent to the artist, is the rather crooked way through which these representations are being represented in contemporaneity. By default I, the artist, am vouching for a better and higher percentage of Women, POC and Queer-beings (with this triad being the most represented minorities) within the aforementioned white cubes, however, often when this is done PC and “perfectly”, it is more about the “idea” of the represented minority, than the individual characteristics of the represented artist(s). And this is, to me, what is so crooked.
From this observation and stance, I, the artist, decided to search for the minority within my own personal history, which ended up becoming a set of approximately 6.5 alter-ego’s, created through writing auto-fiction, whom in their essence all represent a certain minority and or majority. And, of course, all of these approximately 6.5 alter-ego’s are united within an art-collective called “Post-Proto” and represented by a fictional umbrella-corporation (the QnWF-Société).
By now, and it is something I have to state, the alter-ego’s have become rather polysemous. Forever will they have their origins in the idea of representation, but they have become much more. They have become true reflections, if not extensions, of the self that is I, the artist. The autochthonous auto-fiction having become more of a fictional auto.
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Works on show;
Evelyn MacIntosh:
“She’s Moving Away”, 2019
“Diagonal I”, 2019
“Diagonal II”, 2019
“Inflatable II”, 2019
“Cathedra”, 2019
“Melancholic Post-Readymades: Sink I”, 2019
“Melancholic Post-Readymades: Sink II”, 2019
“Get-together II (911)”, 2019
“Contemporary Art 101; I”, 2019
“Contemporary Art 101: II”, 2019
“Contemporary Art 101: III”, 2019
“Jeff Koons Inspired #1”, 2019
“New Phone, Who Dis?”
“Goldie Locks”, 2019
“Emasculated”, 2018
“Pagan Poetry II”, 2018-2019
“Millennial Sunshine / Scorpio Season”, 2018
“Misxgyny Drxp Dead”, 2019
“Cynthia”, 2019
“Melancholic Post-Readymades: Chess & Boule”, 2018
“My Collection pt.II”, (In collaboration with Jan-Peter de Wit), -2019
“It Took A Minute To Clean Out All The Hair From The Sink (Hell Is Other People)”, (In collaboration with Jan-Peter de Wit), 2019
“You Know What They Say About Half A Cow…!”, (In collaboration with Jan-Peter de Wit), 2019
“Pink Heart”, (In collaboration with Gabriel Martina), 2019
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Gabriel Martina:
“Who Let The Dogs Out?”, 2019
“Red Relic I: The Joker”, 2019
“Red Relic II: Mao”, 2019
“Red Relic III: Pinokkio”, 2019
“Red Relic IV: Dutch Summer”, 2019
“Red Relic V: Deedle-Dum”, 2019
“Red Relic VI: Double Vulcan”, 2019
“Angel I”, 2019
“Angel II”, 2019
“Red Physicality I”, 2019
“Rood Met Groen Is Boerenfatsoen”, 2019
“Pink Heart”, (In collaboration with Evelyn MacIntosh), 2019
“Tape II”, 2019
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Jacques “Sans” Da sylva:
“Self-Portrait”, 2018
“Dystopian Pride”, 2018
“Flower Arrangement I”, 2019
“Flower Arrangement II (Eulogy)”, 2019
“Shoes; Black”, 2018-2019
“Shoes; White”, 2018-2019
“A Shadow Of The Life And Death Of Herman Hartmann”, 2019
“Louboutin Replica (Left)”, 2019
“Les Mots A La Bouche (Paper Bag)”, 2019
“The Fall Of The Modulor Man (Hell Is Other People)”, 2019
“Jeremiah Johnson (Smokingboys.com)”, 2019
“Alone or Loneliness (Past-Lovers)”
Jan-Peter de Wit:
“The Unbelievable Wreck of Mees Joachim (010617, 010618, 010619)”, 2018
“Snitches Get Stitches”, 2018
“On The Fence / Defense”, 2019
“Dotje 5-VRD-36”, 2019
“Scene I”, 2019
“John Locke”, 2019
“Pen & Input”, 2019
“Weight Difference”, 2019
“Per Nihil”, 2019
“Toiletseat I (Hardcore Will Never Die)”, 2018
“Pagan Poetry I”, 2018
“My Collection pt.I”, -2019
“Lamborghini”, 2019
“Everlasting, Never Lost”, 2018
“Viktor I”, 2019
“Elliot I”, 2018
“Green Chesterfield Fauteuil with Folded Stop-sign”, 2019
“My Collection pt.II”, (In collaboration with Evelyn MacIntosh), -2019
“It Took A Minute To Clean Out All The Hair From The Sink (Hell Is Other People)”, (In collaboration with Evelyn MacIntosh), 2019
“You Know What They Say About Half A Cow…!”, (In collaboration with Evelyn MacIntosh), 2019
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Joachim Stiller:
“Selection of Sentiment (Toys)”, 1994-2019
“Scrapbook I”, 2012-2019
“Documenting Selfie Intern #1”, 2003-2018
“Gizmo”, 1994-2019
“Beertie + Contents”, 1994-2019
“Verheven Entiteit Issue II: The Problematic Issue – A Contemplation Upon Representation & Misrepresentation”, 2018
“Exhibition text”, 2019
Mees Joachim van Amesfoort:
“Climate Change I: Dahmer”, 2019
“Climate Change II: Kanye”, 2019
“Climate Change III: Hirst”, 2019
“Expenses (Might As Well)”, 2019
“Ben Shapiro I”, 2019
“Self-Portrait Posing As Public Opinion (Hitler Without Mustache I)”, 2019
“Triad Of Iconography: Hirst I”, 2019
“Triad Of Iconography: Kanye I”, 2019
“Triad Of Iconography: Dahmer XV”, 2019
“Homophobe T-shirt”, 2017
“Death To Straight White Men T-shirt”, 2017
“Corporate Identity Post-Proto Collective’s Fully Inclusive representational doom, death and devotion exhibition; “We Are Here, We Are One” (Postcards)”, 2019
“FCRV=Fight Collective RietVeld Call-sheet, Mouth-guards & Everlast Wifebeater”, (In collaboration with Twan Lugten), 2019
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Nick Nicole pt.II:
“Nick Nicole pt.II – Insatiable Kook (Album Listening Film)”, 2019
“Nick Nicole pt.II – Insatiable Kook (CD)”, 2018-2019
“B.J. De Logie (Guitar)”, 2016
“Ashtray + Wooden Beam (Guitar)”, 2016
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Misc.
Xylophone as heard on “Det Perfekte Mennesker ft. ViggoH”
“Sauce Magazine Issue II: Probiotic”, 2018
“Found Photo Album (a Gift)”, (Gift from Suzanne Jensen), 2019
“Green Folders”
“Macbook Screen + Orange Sticker”
“Whatever People Say I Am, That’s What I’m Not (LP)”, (Arctic Monkeys), 2006
“Green Chesterfield Fauteuil”